Articles: Digital Photography Review (dpreview.com)
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Photographer Aryeh Nirenberg has shared an incredible timelapse from his time in Northeast Colorado that shows the Earth’s rotation in relation to the location of the Milky Way Galaxy in the night sky.
The timelapse, which was captured nearly two years ago, but only now uploaded to YouTube, was captured with an astro-modified Sony a7S II with a Canon 24-70 F2.8 lens attached via an adapter. Approximately 1,100 10-second exposures were captured at 12-second intervals to create the 55-second timelapse.
In speaking with DPReview, Nirenberg said:
‘I was trying to shoot a regular Milky Way timelapse at a reservoir, but access to it was blocked on the side of the reservoir that I needed to be at to face the Milky Way. So, instead of just shooting the Milky Way with the boring field in the foreground, I thought I’d try doing it with my iOptron portable equatorial mount to make it more interesting and I [photographed] until most of the sky was out of the frame.’
The Sony RX100 VII takes the place of its RX100 VA sibling as our top overall pick, while the Canon G5 X II replaces the Panasonic LX100 II as our alternate choice.
Since its release in August 2018, the Nikon AF-S Nikkor 500mm F5.6 PF ED VR lens has been perpetually out of stock. In past apologies, Nikon has said demand for the 500mm F5.6 lens has exceeded supply, but now we know just how limited supply is.
Almost immediately after launching the 500mm F5.6 PF lens, Nikon Japan issued an apology [Japanese], stating it wouldn’t be able to deliver all 500mm F5.6 pre-orders in September, as it had hoped to do. Six months later, it issued another apology, stating orders had exceeded expectations and they were working to deliver units as soon as possible.
|Screenshot used with permission from Nikon Rumors.|
Now, Nikon Rumors has shared a screenshot of the German Nikon Professional Service website noting only 1,000 units are able to be produced each month. The text in the screenshot, seen above, translates (via DeepL) to:
‘Delivery currently uncertain, since only about 1,000 copies are produced per month. We apologize for any inconvenience and will accept any pre-order.’
|A screenshot from the current product page on Adorama showing the Nikon AF-S Nikkor 500mm F5.6 PF ED VR lens is ‘On Backorder.’|
We contacted Nikon USA to check in on the current pre-order status and clarify whether or not production is at 1,000 units per month and received the following response:
‘Orders of the AF-S NIKKOR 500mm f/5.6E PF ED VR lens have exceeded our expectations. We appreciate our customers' patience as we work to fulfill orders as quickly as possible.’
In other words, Nikon isn’t confirming the 1,000 unit per month limit, but it isn’t denying it either. Whatever the case is, it doesn’t look like the backorders are slowing down anytime soon, so don’t get your hopes up that you'll have Nikon's compact telephoto lens anytime soon.
Chinese camera gear brand Viltrox is planning to release three autofocus lenses for Fujifilm X-mount, Sony E-mount, and Leica M-mount, according to FujiRumors, which initially spied the upcoming products back in May.
In a new report published this week, FujiRumors detailed the alleged specs for the three lenses, product images for which it found published on Viltrox's official profile on Chinese social media website Sina Weibo. Below are images of the lenses and a breakdown of the specifications based on the charts provided by Viltrox:
Viltrox 23mm F1.4:
- Aperture range: 1.4 – 16
- Aperture blades: 9
- 10 Groups, 11 elements
- Filter size: 52mm
- Weight: 250g (8.8oz)
Viltrox 33mm F1.4:
- Aperture range: 1.4 – 16
- Aperture blades: 9
- 9 Groups, 10 elements
- Filter size: 52mm
- Weight: 270g (9.5oz)
Viltrox 56mm F1.4:
- Aperture range: 1.4 – 16
- Aperture blades: 9
- 9 Groups, 10 elements
- Filter size: 52mm
- Weight: 290g (10.2oz)
It's unclear when the new lenses will launch. The initial report in May claimed on behalf of a source that the new models may launch in October, but the latest report points toward ‘around November’ as the official release time frame. Prices haven't been revealed at this time. These three lenses will join Viltrox's previously launched 85mm F1.8 autofocus APS-C lens.
Photographer Mathieu Stern of the Weird Lenses Museum has published another video showcasing an old projector lens used with a 3D-printed adapter to shoot a video featuring beautiful, crazy -- and in this case, swirly -- bokeh.
As with the projector lens video Stern published earlier this year, the latest project involves an old projector lens designed for cinema projectors. Stern explains on YouTube that he paid €2 for the lens at a flea market, later determining that it is an 'extremely rare' Cinestar 75mm F1.9 model.
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New video is on YouTube ! Reviewing an insane swirly bokeh lens ( DIY) Check the link in my bio to see my YouTube channel #vintagelens #bokeh #bokehphotography #bokeh_kings #swirlybokeh #bokehphotofan #igersparis #bokehlicious #swirly #portraitmode #green
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Stern used a 3D-printed adapter to insert the lens into a helicoid ring, enabling him to focus the lens. The ring was then used with an M42 to E-mount adapter for use with a Sony A7III camera. The result, Stern says, 'Is the most amazing swirly bokeh I [have ever] seen.'
Tamron USA has shared the above video on Facebook teasing four new lenses for Sony E mount camera systems.
In the 18-second video, which is accompanied by the description ‘Tamron Thrives on Challenging the Limits,’ Tamron shows off the silhouette of four new lenses alongside its currently-available 17-28mm F2.8 Di III RXD and 28-75mm f/2.8 Di III RXD lenses.
No additional details are given, but based on the sizing of the lenses, it appears as though the tallest of the four lenses will be a telephoto zoom (note the focus and zoom rings on the edge of the silhouette) and the remaining three lenses will be more compact primes.
In a follow-up post, Tamron says the lenses will be ‘Coming Soon,’ but leaves it at that. Sony Alpha Rumors is reporting the new lenses being shown off at PhotoPlus in October, but that’s far from confirmed at this point.
The Sony RX100 VII is the company's latest pocketable 1" sensor compact. It uses the same 24-200mm equivalent F2.8-4.5 lens as its predecessor but features a more capable, easier-to-use autofocus system.
This comes in addition to the already impressive capabilities we saw in the Mark VI, including very fast continuous shooting and high-quality 4K video capture. And, for the first time in the series, the Mark VII has a mic socket for improved audio recording.
The Mark VII can shoot at up to 20 frames per second with no viewfinder blackout: specs that are a match for the company's flagship a9 sports camera. And it's this capability, along with the enhanced AF, that prompts Sony to talk about 'the power of an a9 in your pocket.' To be clear, though, it does not share its hardware with that model.
- 20MP 1"-type stacked-CMOS sensor with phase detection and built-in DRAM
- 24-200mm equivalent F2.8-4.5 zoom
- 20 fps continuous shooting with full autofocus and auto-exposure, and no blackout
- Seven frame, 90 fps 'single burst' mode
- Retractable 2.36M-dot EVF with 0.59x equiv. magnification
- 3" touchscreen LCD (flips up 180° or down by 90°)
- Oversampled UHD 4K video (up to 5 min clips in standard temperature mode)
- Combined lens and digital 'Active' stabilization mode in video
- High speed video at up to 1000 fps
- Wi-Fi with Bluetooth and NFC
The RX100 VII will be available in August 2019 at a recommended price of $1200. It'll sell for around €1300 in Europe and £1200 in the UK, with both figures including tax. These are around the same prices as its predecessor was launched at, so we expect to see the Mark VI get re-positioned, to make room.
What's new and how it compares
|The RX100 VII looks like its predecessor but borrows know-how (though not hardware) from the pro-sports a9 model.
Body and handling
The RX100 VII is an evolutionary product but somehow finds room for a mic socket, as well as that massive lens.
Operation and controls
The control layout and logic is unchanged from previous models (for better or worse). There's a good degree of customization available.
AF and video performance
The RX100 VII offers one of the best autofocus implementations of any compact on the market, video impresses too.
Image quality from the RX100 VII is slightly improved over the VI. Check out our studio test scene to see how it compares to the competition.
The RX100 VII receives our gold award and recommendation. Here's why.
We've been shooting with a pre-production RX100 VII for a few days now. Have a look at what the new sensor can do.
Calibration tool manufacturer X-Rite has announced an updated i1Photo Pro profiler that it says is designed to provide greater accuracy when measuring from heavily textured and high gloss papers. The professional-grade i1Photo Pro 3 spectrophotometer has a larger measuring aperture to compensate for imbalances caused by uneven surfaces and uses a polarizer to cut through reflections on high-gloss papers and on textured surfaces such as canvas.
The profiler is also now able to read from much brighter displays when performing screen calibrations, with a maximum of 5K NITs allowed for. The i1Photo Pro 3, along with the i1Profiler software, can also be used to emulate M0, M1 and M2 conditions after a single scan to demonstrate how images will look under various types of lighting when optical brighteners are present in the target paper.
X-Rite says the device has been developed in response to the broadening of the range of surfaces now being printed on, and the increasing brightness and resolution of backlit displays.
X-Rite has also launched a new calibration table for those really serious about print accuracy. The i1iO Automated Scanning Table allows automated patch reading for reflective and transparent materials, and can work with a thickness of up to 33mm.
The X-Rite i1Photo Pro 3 Pro costs $2199/£1750, while the i1iO Automated Scanning Table costs $2995/£2400. For more information see the X-Rite website.
X-Rite Now Shipping i1Photo Pro 3 Plus
The new i1Photo Pro 3 Plus from X-Rite is an ultra-precise spectral colour measurement solution that is optimised for Colour Perfectionists who print digitally on a wide range of specialised materials and surfaces.
Birmingham, UK, 15th August 2019 – X-Rite Incorporated, the global leader in colour science and technology, is now shipping the new i1Photo Pro 3 Plus, a spectral colour measurement solution specifically designed for professional photographers who print on challenging textured and glossy photo media looking for the most accurate colour in their RGB print workflows. i1Photo Pro 3 Plus combines the new i1Pro 3 Plus spectrophotometer and i1Profiler software to deliver the ultimate professional-level colour management for displays, projectors, scanners, RGB printers and cameras.
Current profiling solutions are limited in their ability to measure textured, rough, or uneven surfaces and cannot accommodate various material thicknesses. Many devices do not have the resolution required to ensure the highest colour quality when printing detailed patterns, metallic effects, or photography images. This leads to costly colour errors and rework, which impacts a photographer’s bottom line.
“The i1Photo Pro3 Plus builds on the success of the i1 Family and removes the variability to create accurate ICC profiles on a broader range of photographic materials,” said Liz Quinlisk, Photo and Video Business Unit Manager, X-Rite. “Photographers will see the immediate value by incorporating the i1Photo Pro 3 Plus into their RGB print workflow, resulting in more accurate, repeatable colour and improved shadow detail, as well as a reduction of waste and an increased return on investment.”
New in the i1Pro3 Plus spectrophotometer:
Larger 8mm aperture supports new materials and substrates used in digital printing.
Polarisation Filter (measurement condition M3) that reduces specular highlights and shadows to provide “better blacks” and richer colours on rough surfaces and glossy media, like canvas prints and fine art photo papers.
High Brightness Measurement up to 5K NITs for ultra-bright displays.
Simultaneously measure M0, M1 and M2 in a single pass to account for optical brighteners so photographers can quickly predict how colours printed on optically brightened substrates will look under different lighting conditions.
New LED illuminant that improves device reliability. The i1Pro3 Plus allows for four measurement conditions (ISO 13655 M0; M1: D50; M2: UV Excluded, M3Polarised).
Transmission scanning support for backlit materials.
Longer scanning ruler to support wider charts.
“We are used to seeing bumpy shadow measurements from unpolarised devices on glossy textured media like canvas. With the new polarisation feature in the i1Pro 3 Plus, our M3 measurements are dramatically smoother in the shadows - perfect in fact,” commented Scott Martin, Founder, Onsight, a leading workflow consultant for print, prepress, design and photography.
New X-Rite iO Table
In addition, X-Rite announces a new i1iO Automated Scanning Table that supports the i1Pro 3 Plus hardware. This hands-free test chart reader offers automated colour profiling on a variety of substrates with reduced risk of colour measurement errors. It is ideal for colour perfectionists who want to speed up and automate the measurement process and eliminate manual strip reading. The new i1iO table can be used with a variety of materials including canvas, textiles, ceramics, corrugated, etc. and supports materials up to 33mm thick, with the optional z-axis spacer. It also supports transparencies and backlit materials.
Additional i1Pro 3 Plus Solutions
In addition to i1Photo Pro 3 Plus, X-Rite is now shipping these new i1Pro 3 Plus solutions:
i1Basic Pro 3 Plus – includes monitor calibration and quality control for monitors and printers
i1Publish Pro 3 Plus – includes CMYK+ printer module and all features of i1Photo Pro 3 Plus
Mobile photography company Moment has launched a new 37mm Cine filter set for smartphones, including a compatible mount. Though Moment already offered a series of filters, those products were designed for the company's mobile lenses. The new 37mm Cine filter set, however, is made for use with a phone's camera using its native lenses.
The new filter mount is designed for use with Moment's existing smartphone cases for iPhone, Pixel, OnePlus, and Galaxy models. Users who don't already have a Moment phone case can order the new 37mm Cine filters and mount in a bundle that features a phone case, 37mm ND filter and 37mm CPL filter. This bundle costs $99.96 USD.
The new 37mm Cine CPL phone filter set is available with the mount and CPL filter for $49.98 USD, plus there's a 37mm Cine ND filter set with the mount and ND filter for $39.98 USD. Both new filters are scratch-resistant and feature hydrophobic, anti-static, anti-reflective, color-corrective coatings.
The filter mount will work with any 37mm filters and the filters with any lenses with a 37mm filter thread, according to the company. The entire 37mm Cine filters and mount line is available now from Moment.
Instagram has dismissed another viral spam image that is circulating on its platform, this one claiming that, starting tomorrow, all user content will be made public (including deleted messages) and that the company will be able to use images against users in court. Instagram brand communications manager Stephanie Otway told WWD, ‘There's no truth to this post.’
The image has gone viral thanks to, in part, accounts with large numbers of followers that reshared the claim, including ones belonging to musicians, actors and politicians. The image tells viewers that they must reshare the meme to prevent Instagram from using their images and other account details, but doing so is pointless and only helps surface the spam content.
This isn't the first time claims related to user content have gone viral on social media. Facebook was forced to address similar claims in 2012 and again in 2015, for example. Instagram details the information it gathers on users and how it utilizes that information on its official Data Policy.
ON1 has announced the impending release of ON1 Photo RAW 2020 as well as three new products: ON1 Video, ON1 Photo Mobile and ON1 Sync Service. ON1 says in its press release that ‘in the coming months’ it will launch a ‘complete line of photo and video products to all levels of photographers providing an integrated creative workflow.’
ON1 Photo RAW 2020
The first product to arrive is ON1 Photo RAW 2020, a successor to ONE1 Photo RAW 2019 that brings with it new AI-powered features and more. Specifically, ON1 says Photo RAW 2020 will feature ‘AI Match and AI Auto, four filters in Effects (Weather, Sun Flare, Color Balance, Channel Mixer), Custom Camera Profiles with X-Rite, SmugMug integration, improved noise reduction, a map view, a Print Module, and significant speed/performance enhancements.’
Additionally, ON1 Photo RAW 2020 will be available in eleven languages for the first time, including English, German, Spanish, French, Japanese, Korean, Simplified Chinese, Russian, Portuguese, Italian and Dutch.
ON1 says it plans to release a public beta for Photo RAW 2020 in ‘mid-September’ 2019. ON1 Photo RAW 2020 is available to pre-order as the full version for $99.99 and an upgrade for Photo Raw 2019 users for $79.99.
ON1 Photo Mobile 2020 App
ON1 has also announced it will soon release ON1 Photo Mobile 2020, an Android and iOS app that will allow you to both capture and edit Raw photos on your mobile device. According to ON1, the app ‘will allow you to capture raw photos on your smartphone using the pro-level controls you are familiar with on your interchangeable-lens camera.’ In addition to capture, it will provide basic editing tools to adjust the captured images.
Alongside the ON1 Photo Mobile 2020 app, ON1 has announced ON1 Sync, an optional service that makes it possible to ‘view and edit photos on all your devices without requiring you to store them in the cloud or a closed system.’
The optional add-on for ON1 Photo Mobile 2020 will sync albums, presets and more between devices. ON1 doesn’t elaborate on how exactly it’ll work, but says ‘You can store your photos on your desktop or laptop computer, an external hard drive, in any of the popular cloud services or on your mobile devices, and you can still access them from anywhere.’
ON1 also emphasizes its priority on privacy, saying using the ON1 Sync service won’t grant ON1 any additional rights to the content, nor will the company ‘have permission to use your photos for image analysis or any sort of marketing purposes.’
ON1 Video 2020
Last but not least, ON1 has announced ON1 Video 2020, a new video editing application that it says was ‘explicitly designed for the photographer.’ ON1 says it ‘will be a simple, yet robust video editor’ with tools for enhancing, tripping, editing audio, grading and sharing videos. ON1 says ON1 Video 2020 will work seamlessly with ON1 Photo RAW 2020.
A public beta for ON1 Video 2020 is expected mid-November with a final release timeframe of ‘early 2020.’
As Sony's full-frame mirrorless lens lineup has grown, there is a certain irony that as the company started on churning out some really, really good lenses, like the 12-24mm F4, the 24mm F1.4 and the eye-searingly sharp 135mm F1.8, a large portion of Sony's customer base was yearning for something much simpler. And much smaller. And cheaper. For a couple of years, "I just want a 35mm F1.8!" was one of the most oft-posted comments underneath our Sony lens coverage.
Finally, on July 9th in the year of our Lord 2019, Sony answered those users' prayers and released the FE 35mm F1.8. And peace did fall across the land, and there was much rejoicing - for about five minutes until we all found something else to complain about.
Product images by Dan Bracaglia, all other photographs by Rishi Sanyal unless otherwise noted.
- Compatibility: Sony E-mount (full-frame and APS-C)
- Focal length: 35mm (52mm equiv. on APS-C bodies)
- Maximum aperture: F1.8
- Minimum focus: 22cm (8.7" - max magnification 0.24X)
- Construction: 11 elements in nine groups (incl., one aspherical)
- Weight: 280g (10 oz)
- Dust and weather-resistant
- Diameter / Length: 66mm x 73mm (2.6" x 2.9")
The FE 35mm F1.8 joins the FE 28mm F2 and FE 85mm F1.8 in the non-GM, non-G lineup, and shares some similarities with both earlier lenses. You won't find any fancy exotic glass inside the 35mm F1.8, and Sony doesn't claim that these lenses are up to the GM standard of durability when it comes to weather-sealing, but they're sharp, small-ish and relatively affordable primes, all coming in at under $800 MSRP.
You'll find just one unconventional piece of glass inside the FE 35mm F1.8 - an aspherical element, towards the rear of the lens.
Placing the focusing optics at the rear of the lens allows optical designers to greatly reduce focus breathing.
The FE 35mm F1.8 is the priciest of the bunch, at $750. This is noticeably more expensive than the film-era 35mm F1.8 lenses of yore, but as we'll see, just like the recently-reviewed Nikon Z 35mm F1.8 S, it belongs to a new generation in more ways than just one.
The Sony FE 35mm's size, weight and cost make it a perfect companion to the A7 III, but it's equally at home on the higher-resolution sensor of the A7R III and A7R IV. In fact, - spoiler alert - we'd recommend it over the costlier Sony Distagon T* FE 35mm F1.4 ZA for almost every use-case.
Nikon has released SnapBridge version 2.6, finally adding support for Raw (NEF/NRW) image transfers when shooting with Nikon's WiFi-enabled camera models. The addition finally enables users to wirelessly transfer Raw images from a camera to a smartphone or tablet, something users have been seeking for years.
In addition to Raw transfer support, SnapBridge 2.6 has added a number of smaller changes, including faster transfer of 2MP images, DSLR camera control for settings like shutter speed and aperture, simplified and faster pairing, an updated app design, a power-saving mode and location data with user-selectable accuracy.
|A search on DJI’s official online store confirmed that the Mavic 2 Pro is currently out of stock.|
DJI, the world’s leading drone manufacturer, is currently out of stock on most of its models including the Mavic 2 Pro and Phantom 4 Pro.
DroneDJ’s Haye Kesteloo recently conducted a thorough search of their official online store and discovered that the only drones available for purchase are the DJI Mavic Air Fly More Combo, in all colors, the DJI Mavic Pro Platinum, the DJI Mavic Pro 2 (with the DJI Smart Controller combo), the DJI Mavic 2 Zoom with or without DJI Smart Controller, the DJI Inspire 2 and the Ryze Tello in all its variations.
It’s been one year since DJI last released a consumer-grade drone to the public. The Mavic 2 Pro and Zoom have been wildly successful, but with DJI’s planned implementation of ADS-B sensors this coming January, not to mention the forthcoming Holiday season, it would make sense for them to halt production on models headed for discontinuation and focus on new releases.
While a Mavic 2 Pro+ and Zoom+ are rumored, specs from what is being coined as the ‘Mavic Mini’ have recently made the rounds online. Reportedly this drone is expected to weigh less than 250 grams, meaning it won’t need to be registered with the Federal Aviation Administration. As rules and regulations are continually being pushed to allow flights over people and beyond-visual-line-of-sight, a lighter drone makes sense. Other possibilities for a near-future release include a Spark 2 and Mavic Air 2.
Here is the full list of out-of-stock items on DJI’s website, thanks to DroneDJ.
- DJI Spark Controller Combo – Alpine White
- DJI Spark Fly More Combo – Alpine White
- DJI Spark Controller Combo – Lava Red
- DJI Spark Fly More Combo – Lava Red
- DJI Mavic Air Arctic White
- DJI Mavic Air Onyx Black
- DJI Mavic Air Flame Red
- DJI Mavic 2 Pro
- DJI Mavic 2 Pro & DJI Goggles RE
- DJI Mavic 2 Zoom & DJI Goggles RE
- DJI Phantom 4 Advanced
- DJI Phantom 4 Pro V2.0
- DJI Phantom 4 Pro V2.0 & DJI Goggles RE
- DJI Phantom 4 Pro+ V2.0
- DJI Phantom 4 Pro+ V2.0 & DJI Goggles RE
- DJI Inspire 2 Professional
- DJI Inspire 2 Premium
While some of these items aren’t available through DJI directly, they can still be found through other third-party retailers.
PhotoShelter has introduced FileFlow, a new iPhone app that makes it easier for photographers and their clients to find, share, and download images.
In its current version, users and their clients can access and browse through shared content, search through image collections and galleries, batch download both original or JPEG versions of images, and directly share content using multiple methods, including email and various social media platforms.
PhotoShelter describes its new app as a way for photographers to access their content using mobile devices and for their clients to access delivered projects on mobile. The company plans to equip FileFlow with support for uploading content and setting permissions for accessing the content.
As well, FileFlow will offer a ‘Quick Send' feature for sending images, plus ‘other actions you would take on your desktop.' Clients will be able to view and download password-protected images, too. Android users will eventually get access to FileFlow, but it is only available on the App Store at this time.
Metabones has announced its new Hasselblad V to Fuji G mount (GFX) x0.71 Speed Booster, the latest in its extensive Speed Booster Ultra 0.71x lineup.
The new Speed Booster, which provides nearly the full angle of view of the original Hasselblad V lens when used on a Fujifilm GFX camera, relies on a six-element design capable of ‘[achieving] excellent optical performance at apertures up to F1.4 when paired with the Hasselblad 110mm F2 lens.’ Metabones says it was able to achieve this performance by analyzing the exit pupil size and location of all Hasselblad V lenses and using the resulting data to develop its new Speed Booster Ultra.
As with Metabones’ other Speed Booster adapters, the Hasselblad V to GFX Speed Booster Ultra accounts for the camera’s filter stack atop the sensor, a key element, especially when using faster lenses with larger apertures.
The adapter features ‘an extremely robust cine-style’ positive locking mechanism to prevent lens movement when focusing as well as a 360-degree rotation collar and Arca Swiss style tripod mounting plate.
The 0.71x Speed Booster Ultra for adapting Hasselblad V lenses to Fuji GFX camera systems will be available starting August 16th, 2019 from Metabones’ website and authorized retailers for $899. The non-Speed Booster version will ship at the same time for $399.
There is no doubt recent Huawei high-end devices come with impressive camera specs and performance. However, they lack slightly behind the competition in terms of video frame rate. Both Apple and Samsung devices have been offering a 60 fps frame rate at 4K resolution for quite some time now.
Huawei flagships are still limited to 30 fps when recording at 4K. This has nothing to do with the deployed image sensors but is all down to the chipset which doesn't offer the buffering and/or processing power for the large volumes of data generated during 4K video recording.
Now, this looks to be about to change, though. According to an attendee of last week’s Huawei Developer’s conference in Shenzhen, the Chinese company has confirmed that the upcoming generation of its top-end mobile chipset — likely called Kirin 990 and to be launched at IFA in September — will support 60 fps at 4K resolution.
The Huawei Mate 30 series, expected to be announced on September 19, is likely to be the first models to benefit from the new chipset and its enhanced video recording capabilities. According to rumors, the top-of-the-line device could feature two 40MP Quad-Bayer sensors in a triple-camera setup and a 6.71-inch OLED display with 90Hz refresh rate.
In this video we’ve traveled to southern Spain to the town of Sevilla to meet photographer Fernando Marmolejo. We joined Fernando over the course of a few days, as he shot some of his favorite sports with the most advanced Micro Four Thirds camera on the market: the Olympus OM-D EM1X.
This is sponsored content, created with the support of Amazon and Olympus. What does this mean?
Henry Diltz, an official photographer of the Woodstock music festival held in August 1969, has detailed his experience in a new six-minute video produced by Keeper and directed by Scott Hanson. Diltz captured thousands of photos during the three-day festival, which was attended by nearly half a million people.
‘It’s almost every day now, people are asking me to interviews, about Woodstock, to use my photos, and my remembrance of it,’ Diltz says in the new short film. The photographer explains how he landed the job, revealing that he was only able to attend the event thanks to lighting director Chip Monck, who sent Diltz a plane ticket and $500.
Unlike other photographers who attended the music festival, Diltz explains that he was allowed to shoot from a walkway built for the film crew, putting him directly in front of the concert stage. It’s from this position that Diltz was able to capture iconic photos of renowned artists, including one he says he managed to capture with all four members of The Who in the same image, something that was difficult using his widest lens.
Canon Australia appears to have leaked two upcoming cameras - the EOS M6 Mark II and the EOS 90D, in a pair of videos posted on its YouTube channel (which have been taken down in the minutes since we started drafting this article). The two videos gave a 'first look' at what appear to be forthcoming mirrorless and DSLR APS-C products.
Canon Australia has since removed the videos, but Canon Rumors downloaded them before they were taken down and uploaded the videos to its YouTube channel.
Canon M6 Mark II
Most notably, it looks like the EOS M6 Mark II will feature a 32.5-megapixel CMOS sensor powered by a Digic 8 processor. It will have a continuous shooting speed up to 14 fps with autofocus, Eye Detection, Dual Pixel AF and a dedicated MF/AF Focus Mode Switch button on the rear of the camera.
|A screenshot from the video showing the new Focus Switch Mode on the back of the M6 Mark II.|
Canon Australia notes in the video’s description that the M6 Mark II will be able to shoot 4K/30p video and 1080p at 120 fps. Also shown in the video is a removable OLED viewfinder that works with the Touch & Drag AF on the rear camera display and a Wi-Fi/Bluetooth transfer option, although the specifics of the transfer technology remain unknown.
Canon EOS 90D
According to the video, the 90D will feature a 32.5-megapixel sensor with a Digic 8 processor behind it (presumably the same combination found in the EOS M6 Mark II). IThe 90D appears to be limited to 10 fps continuous shooting, but it too has Dual Pixel AF, Eye Detection AF and a 45-point all-cross-type autofocus sensor with a joystick for navigating through the AF points.
The optical viewfinder inside the 90D features 100-percent coverage and includes a 220K-dot RGB + IR metering sensor that features Canon’s iTR AF (face-detection).
On the video front, the video doesn't share much, but notes the 90D will shoot 4K 30p video and up to 120 fps when shooting in 1080. The video also says the 90D is dust- and water-resistant and can be paired with Canon’s BG-E14 battery grip, the same one used for Canon’s 70D and 80D cameras.
No pricing information or definitive release date was mentioned in the videos, but given both were posted on an official Canon channel, and have since been removed from YouTube, we assume that the EOS M6 II and EOS 90D are real, and coming soon.
LucAdapters has launched a crowd funding campaign to develop a focal reducer for the newly announced Super 35mm 6K cinema camera from Blackmagic Design. The reducer will allow users to mount full frame lenses on the camera with only a slight crop, thus emulating the look of a camera with a full frame sensor.
The company has history with this kind of adapter and currently makes a reducer for the Ursa Mini called Magicbooster Pro, and has in the past made a full-frame adapter for the Samsung NX1. This new model will be called Magicbooster Pocket 6K and will combine the benefits of a 1 stop increase in effective aperture as well as decreasing the crop factor of the 6K area of the camera’s Super 35mm sensor from 1.5x to 1.1x. This allows full frame lenses to practically maintain their intended angle of view when recording 6K footage, with a 50mm lens acting like a 55mm with the reducer instead of like a 75mm without it.
Here's a video made with the current Magicbooster, shot on Blackmagic Ursa mini 4.6K by PILOTMOVIES.
The Magicbooster Pocket 6K will be fully compatible with all of Canon’s EF lenses according to LucAdapters, but not EF-S models. The Magicbooster fits inside the camera’s throat leaving the mount untouched, and replaces some internal parts of the camera itself in doing so. The unit comprises a small barrel with lens elements at the end. It screws into the camera with the magnifying lens sitting directly in front of the camera’s sensor and behind the IR filter.
Buyers will receive a replacement UV-IR cut filter that the company claims is better than that which is shipped with the camera. Such a degree of installation is required that it isn’t the sort of adapter that can be attached and unattached in a couple of seconds, but it also means there's no need to add and remove the adapter every time you have to change a lens.
LucAdapter says the Magicbooster Pocket 6K will ship in November this year, and will cost from €499 (approx. $550). For more information see the LucAdapters Magicbooster Pocket 6K Kickstarter campaign.
Sydney-based coder Greig Sheridan and his photographer partner Rocky have introduced Intervalometerator, an open-source intervalometer designed for deploying inexpensive remote time-lapse systems involving Canon DSLRs, Arduino and Raspberry Pi hardware. The system is ideal for DIYers seeking an inexpensive alternative to existing remote time-lapse systems.
According to the Sheridan’s ‘Intvlm8r’ website, the open-source intervalometer system can be used with a battery and solar panel remotely, in addition to ‘on-grid’ for less remote setups. The intervalometer was designed for the Canon 6D, 60D, and 600D models, Sheridan told PetaPixel, but the duo hopes ‘that over time other models and brands will be tested and found compatible too -- it relies on gPhoto to talk to the camera.’
The Intervalometerator can be set up with Web access for remote control and is fully configurable, enabling users to choose the full camera settings, select the time/day when images are captured and interval. The software’s interface, a demonstration of which is available here, includes information on battery level, captured images, remaining storage, the time and date of the last image, as well as when the next shot will be captured and the camera hardware in use.
In addition to having a low power requirement of less than 1mA, the Intervalometerator can also automatically recover in the case of a temporary power loss. Sheridan estimates the Intervalometerator’s cost, excluding the protective housing, mount, and camera, at around $242. That is substantially cheaper than competing commercially available systems; the Titan2 Remote time-lapse box with solar power for DSLRs, for example, costs $4,700 USD.
Yongnuo has announced its new YN35mm F1.4C DF UWM, a second-generation full-frame lens for Canon’s EF mount.
This new lens features the same optical construction (eleven elements in nine groups with a seven-blade aperture diaphragm) and outward appearance Yongnuo’s original YN35mm F1.4 MC lens. What’s new is the addition of an Ultrasonic Wave Motor (UWM).
Below are a few sample images captured with the lens:
Yongnuo hasn’t listed the price of the lens, which is set to ship in Q4 2019, but its predecessor currently retails for $378 (Adorama, B&H). It’s likely this new lens would replace the older model for roughly the same price.
Update (August 19, 2019): Updated article to clarify the Micro USB port was present on the first version of Yongnuo's 35mm F1.4 lens as well.
Ultra-wide cameras are a wide-spread feature among the current crop of Android phones but Motorola's new One Action is taking a slightly different approach to most of its competitors. The brand new device's ultra-wide camera has been designed to work predominantly as a GoPro-style action camera.
The 16MP camera has a field-of-view of 117 degrees (approximately 13mm equivalent focal length) and is installed vertically which means you can also hold the phone vertically while recording horizontal video for better control. Footage is recorded at 1080p resolution and electronic image stabilization should smooth out even bumpy sports action,
The main camera features a 12MP sensor with 1.25µm pixel size and F1.8 aperture. A PDAF system is used for focusing and in video mode 4K clips can be recorded at 30 frames per second. The triple-camera setup is completed by a 5MP depth camera for the simulated bokeh effect.
Other specs fall firmly into the mid-range category. The Android OS is powered by a Samsung Exynos 9609 processor and 4GB of RAM. 128GB of storage are quite generous for a device in this class and the battery offers a 3,500 mAh capacity. Images and videos can be viewed on a 6.3-inch FHD+ 21:9 display with a hole-punch design for the front camera.
The Motorola One Action will be available starting today in Brazil, Mexico, and some countries in the Euro zone for €259 ($287). Motorola says the device will be available in more regions across Latin America, Europe and Asia Pacific, and will arrive in the US and Canada in October as an unlocked version.
ProGrade Digital has launched Refresh Pro, a new program designed to monitor the health of specific ProGrade Digital memory cards and ‘refresh your card’s performance to factory new condition.,’ according to ProGrade Digital.
The software, available now Windows computers (with a macOS version coming soon), works with all of ProGrade Digital’s memory card readers and all cards that feature the ‘R’ logo on the front, as shown in the below image.
When a compatible card reader and memory card are used with Refresh Pro, the program will use a three-color status indicator (green, yellow, red) to denote how healthy the card is: green is a healthy card while red is one more at risk for failure. ProGrade Digital clarifies within the software the Refresh Pro looks for ‘key attributes of your card’s use history to determine how much life is remaining before you reach design limits.’ It goes on to say ‘If your card has less than 10% remaining life, you should consider replacing it soon.’
On the refreshing front, ProGrade Digital says the program will ‘clean up the way data is stored to your card to ensure it’s optimized for the highest performance.’ ProGrade Digital suggests running a ‘Refresh’ regularly to keep the card operating at its best.
Refresh Pro is available to download with a perpetual license on Windows 10 for $29.99. You can find out more information and download the program on ProGrade Digital’s website.
Update (August 22, 2019): The article has been updated to clarify that a macOS version is on the way, but not currently available.